The source of another oft-repeated statistic, that at least 35 Jamaicans have been killed since 1997 solely for being gay, is unknown it is commonly but wrongly attributed to Amnesty International. The first was gang-raped by a group of four men the second was held at knifepoint and raped after being forced to perform oral sex on her attacker. More recently, in just the month of September, two women were subjected to corrective rape, J-FLAG said. Last year, J-FLAG recorded six cases of “corrective rape,” in which men forced themselves on women thought to be lesbians. According to the Jamaica Forum of Lesbians, All-Sexuals and Gays (J-FLAG), Jamaica’s only organization promoting LGBT rights, mobs assaulted at least 98 gay men and lesbians between February and July 2007 alone. We’re attacking them because they’re inciting the criminal offenses of violence and murder.” Supporters of the musicians “say we’re attacking these artists because they’re homophobic,” said British human rights activist Peter Tatchell, international coordinator of Stop Murder Music. The Stop Murder Music campaign is an international movement with activists on nearly every continent who urge sponsors to pull funding from offending artists, pressure venues not to book them, and organize boycotts and protests when they perform. One "murder music" video by Buju Banton has been downloaded more than 3 million times. The top-rated of 86 YouTube videos of Banton performing “Boom Bye Bye” has been viewed an astounding 3,217,409 times since it was posted in 2007. The going is tough: Banton, a four-time Grammy nominee who has collaborated with renowned Haitian singer Wyclef Jean and the punk band Rancid, is but first among equals in a genre deeply rooted in Jamaican culture, whose stars include celebrated musicians like Beenie Man, Capleton and Sizzla Kalonji. Gay and lesbian activists in Jamaica and throughout the Western world have spent years trying to slow the spread of murder music. (“Boom, bye-bye, in a f-’s head / the tough young guys don’t accept f- they have to die.”)įor those whose familiarity with Jamaican music begins and ends with Bob Marley, “murder music” - and its stubborn worldwide popularity - will come as a serious shock.
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Jamaican dancehall star Buju Banton was considered a musical prodigy in 1988 when, at age 15, he recorded what remains one of his best-known tracks, “ Boom Bye Bye.” Even in the difficult-to-decipher Jamaican slang known as patois, its chorus evokes violence and dread: Boom bye bye / inna batty bwoy head / Rude bwoy no promote no nasty man / dem haffi dead.